{"id":5371,"date":"2026-06-11T17:52:22","date_gmt":"2026-06-11T15:52:22","guid":{"rendered":"https:\/\/pierrebarros.fr\/?p=5371"},"modified":"2026-06-12T16:27:35","modified_gmt":"2026-06-12T14:27:35","slug":"bollore","status":"publish","type":"post","link":"https:\/\/pierrebarros.fr\/index.php\/2026\/06\/11\/bollore\/","title":{"rendered":"Refusons la mise au pas par l&#8217;empire Bollor\u00e9 !"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Le 11 mai, \u00e0 la veille de l\u2019ouverture du Festival de Cannes, Lib\u00e9ration publiait une tribune contre Vincent Bollor\u00e9, r\u00e9dig\u00e9e par le collectif \u00ab Zapp\u00e9 Bollor\u00e9 \u00bb et sign\u00e9e par 600 professionnels du cin\u00e9ma. Ce texte d\u00e9non\u00e7ait notamment la mainmise croissante du milliardaire conservateur sur le cin\u00e9ma fran\u00e7ais.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cette inqui\u00e9tude s\u2019est renforc\u00e9e depuis octobre 2025, lorsque le groupe Canal+ a acquis 34 % du capital d\u2019UGC, troisi\u00e8me plus grand r\u00e9seau de salles de cin\u00e9ma en France, avec la possibilit\u00e9 d\u2019en d\u00e9tenir 100 % d\u2019ici 2028.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En r\u00e9action \u00e0 cette tribune, Maxime Saada, directeur g\u00e9n\u00e9ral de Canal+, a annonc\u00e9 le 17 mai qu\u2019il ne souhaitait plus travailler avec les signataires. J\u2019\u00e9tais invit\u00e9 le 20 mai, apr\u00e8s les questions au gouvernement, sur le plateau de Public S\u00e9nat pour en d\u00e9battre.<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/pierrebarros.fr\/wp-content\/uploads\/2026\/06\/bollore.mp4\"><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Quand la concentration \u00e9conomique devient un instrument de pression politique<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Apr\u00e8s l\u2019\u00e9viction d\u2019Olivier Nora chez Grasset, Vincent Bollor\u00e9, cette fois par l\u2019interm\u00e9diaire de Maxime Saada, franchit une nouvelle limite. Il ne cherche plus \u00e0 dissimuler la nature de ses investissements dans la culture. Ceux-ci ne rel\u00e8vent ni de la neutralit\u00e9, ni d\u2019une simple logique \u00e9conomique, ni d\u2019une quelconque \u00ab bonne foi \u00bb, ils s\u2019inscrivent dans un projet politique assum\u00e9 : celui d\u2019utiliser un empire m\u00e9diatique et culturel pour imposer son projet civilisationnel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le monde du cin\u00e9ma, comme celui de l\u2019art en g\u00e9n\u00e9ral, a toujours repos\u00e9 sur un \u00e9quilibre entre les artistes et les professionnels qui rendent les \u0153uvres possibles. D\u2019un c\u00f4t\u00e9, il y a celles et ceux qui portent une vision et cherchent \u00e0 donner forme \u00e0 un projet artistique. De l\u2019autre, il y a les professionnels de la production, de la diffusion, de la technique ou du financement, dont le r\u00f4le est de fournir les moyens n\u00e9cessaires \u00e0 cette cr\u00e9ation, tout en respectant autant que possible l\u2019intention de l\u2019artiste.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cet \u00e9quilibre suppose un dialogue. Il peut \u00eatre travers\u00e9 par des contraintes \u00e9conomiques et des d\u00e9saccords, mais il repose sur l\u2019id\u00e9e que l\u2019\u0153uvre artistique ne doit jamais \u00eatre r\u00e9duite \u00e0 un instrument au service d\u2019un pouvoir (qu\u2019il soit politique ou celui des financeurs) ou d\u2019un agenda politique.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec le bin\u00f4me Saada Bollor\u00e9, nous ne sommes plus dans cette configuration. Il ne s\u2019agit plus seulement d\u2019accompagner la cr\u00e9ation, de la financer ou de la diffuser, il s\u2019agit d\u2019avantage d\u2019un rapport de force, de faire peser une menace sur celles et ceux qui les contestent, et de rappeler aux artistes que leur libert\u00e9 peut d\u00e9sormais avoir un co\u00fbt professionnel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mais cette situation refl\u00e8te surtout un contexte plus large de remise en cause permanent d\u2019espace de contre-pouvoirs culturels et des institutions qui garantissent encore l\u2019ind\u00e9pendance et la pluralit\u00e9 de la cr\u00e9ation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>D\u00e9fendre l&rsquo;ind\u00e9pendance de la cr\u00e9ation et le pluralisme culturel<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cette s\u00e9quence doit ainsi \u00eatre mise en perspective avec les attaques r\u00e9p\u00e9t\u00e9es men\u00e9es contre le CNC (Centre national du Cin\u00e9ma) par plusieurs responsables politiques de droite et d\u2019extr\u00eame droite, proches ou align\u00e9s avec l\u2019\u00e9cosyst\u00e8me Bollor\u00e9. Derri\u00e8re les appels \u00e0 sa suppression, \u00e0 sa \u00ab r\u00e9organisation \u00bb ou \u00e0 sa mise au pas, port\u00e9s notamment par Jean Philippe Tanguy, \u00c9ric Ciotti, Charles Alloncle ou David Lisnard, se dessine clairement la volont\u00e9 d\u2019affaiblir une institution qui demeure l\u2019un des principaux garants de l\u2019ind\u00e9pendance et de la diversit\u00e9 du cin\u00e9ma fran\u00e7ais.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019offensive politique du patronat d\u2019extr\u00eame droite a d\u2019abord commenc\u00e9 dans la presse, par le rachat de m\u00e9dias, la concentration des titres et la critique caricaturale et calomnieuse, du service public de l\u2019information.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aujourd\u2019hui, la guerre culturelle que ces acteurs veulent nous imposer ne vise plus seulement les journaux et chaines d\u2019informations, elle cherche aussi \u00e0 peser sur les lieux de cr\u00e9ation, de production et de diffusion des \u0153uvres.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c0 nous maintenant de mener une bataille politique qui vise \u00e0 d\u00e9fendre un service public de l\u2019information et de la culture fort, ind\u00e9pendant et prot\u00e9g\u00e9 des pressions \u00e9conomiques comme id\u00e9ologiques. Un service public capable de garantir le pluralisme, de soutenir la diversit\u00e9 des \u0153uvres et de respecter pleinement la libert\u00e9 d\u2019expression et de cr\u00e9ation de toutes et tous.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le 11 mai, \u00e0 la veille de l\u2019ouverture du Festival de Cannes, Lib\u00e9ration publiait une tribune contre Vincent Bollor\u00e9, r\u00e9dig\u00e9e [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":5496,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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